‘User-centric’ music streaming payouts
Deezer is planning a pilot of ‘user-centric’ streaming payouts in France, early next year (if they can sign all the labels up: more than…
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Verify on BlockchainDeezer is planning a pilot of ‘user-centric’ streaming payouts in France, early next year (if they can sign all the labels up: more than 40 have agreed so far).
Back in 2013 when I started the “Reboot of music industry” project I did so with the utmost flexibility in mind.
All licensing were up to the Copyright owner, and any legal arrangement and contractual agreements were not something we could or would change.
However, in 2014, real-time no technology readily existed to implement this in a neutral and transparent way.
It does now — with NIM’s ecosystem.
‘User-centric’ streaming payouts were what the NIM business model is all about (we have even taken it a bit further to introduce nano-payment in near real-time and in our implementation of EU Copyright directive 17 “upload-filter”)
Please see the different models we support at https://newinternet.media/licensing-models/ where videos are visualizing the NIM service solutions.
In the “service-centric” model, let’s call it what it is — the BIG black box that contains more than 7 Billion USD a year and where royalties where haphazardly paid (if at all)
In the user-centric model, the Copyright owner(s) are paid according to their CopyrightShares (splits) at the end of each month. All according to the real-time reporting capabilities of the NIM ecosystem.
See the short description of our ecosystem here: https://newinternet.media/copyrights-managements/
We are able and willing to initiate any pilot services with accurate and real-time reporting (and even close to real-time nano-payments if so ordered)
NIM is probably (to quote Carlsberg) the only service in the world ready to implement any licensing service under EU Copyright directive today.
We are already in discussion with many regulative authorities in several countries to that effect.
Evidence
| Article | ‘User-centric’ music streaming payouts (CCN0003) |
|---|---|
| Archived from | Moved here from news.copyrightchains.com (original address), first published there 2019-09-13 06:31:22 UTC |
| Registered on CopyrightChains | Original CopyrightID 0x1c954066d0df0df524238581487e05fdd33abfecd26f9227bb61832b232a32c3 (explorer), registered on news.copyrightchains.com 2025-12-30 11:51:01 UTC. It keeps that CopyrightID and was not registered again here. |
| Registered text hash | SHA-256 0x430d65895b1a2145fbc1626d294645b48d05325b91e24ea24a3ec793158940e2 |
| Snapshot of this copy | SHA-256 f75dea00ae78a3fda4eda727673d4d9675561c618aba704fb83fa1c6b80ae81d · snapshot · OpenTimestamps proof |
| This copy existed by Bitcoin block | 975195 (2026-11-09 16:38:44 UTC). A new Bitcoin proof made when the article moved here: it dates this copy, not when the article was written. |
| Archive record | SHA-256 9f0faec4e7d4c4d09b8090df1356c47a412a7dd5a9edcc0e05387122601d244a · record · OpenTimestamps proof |
| Archive record existed by Bitcoin block | 975195 (2026-11-09 16:38:44 UTC) |
| Check it yourself | verification API · all versions |
This shows that this copy of an article moved from news.copyrightchains.com existed in this exact form by the Bitcoin blocks given, and which CopyrightID registered the original there. The Bitcoin blocks date this copy, not the writing or the original registration: the CopyrightID transaction dates the registration. It does not establish that the article is true, who wrote it, or who owns it. CopyrightChains is a permissioned registry operated by the publisher; independent time evidence comes from the Bitcoin anchor.